{"id":15261,"date":"2018-01-01T12:04:42","date_gmt":"2018-01-01T10:04:42","guid":{"rendered":"https:\/\/www.plur.at\/?p=15261"},"modified":"2026-02-12T13:06:50","modified_gmt":"2026-02-12T11:06:50","slug":"musikalischer-jahresruckblick-2017","status":"publish","type":"post","link":"https:\/\/www.plur.at\/?p=15261","title":{"rendered":"Musikalischer Jahresr\u00fcckblick 2017"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h2>Elektronisches &amp; die DIY-Ecke<\/h2>\n<h3>Papa Jay In The Mix<\/h3>\n<p>Drei DJ Mixes aus der &#8220;Papa Jay In The Mix&#8221; Reihe haben das Licht der Welt erblickt.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.plur.at\/?p=15593\">Different Views<\/a><\/li>\n<li><a href=\"https:\/\/www.plur.at\/?p=15597\">Tales Of Deep Grooves And Techno &#8211; Volume 1<\/a><\/li>\n<li><a href=\"https:\/\/www.plur.at\/?p=15595\">Progressive By Nature &#8211; Volume 3<\/a><\/li>\n<\/ul>\n<h3>Papa Jay Unmixed<\/h3>\n<p>In diesem Jahr sind zwei Compilations\/Playlists aus der &#8220;Papa Jay\u00a0 Unmixed&#8221; Reihe fertiggestellt worden<\/p>\n<ul>\n<li><a href=\"https:\/\/www.plur.at\/?p=15552\">Chilled Out &#8211; Volume 4<\/a><\/li>\n<li><a href=\"https:\/\/www.plur.at\/?p=15556\">Dubs &amp; Cuts &#8211; Volume 2<\/a><\/li>\n<\/ul>\n<\/div><div class=\"fusion-separator\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;max-width:30%;\"><div class=\"fusion-separator-border sep-single sep-solid\" style=\"--awb-height:20px;--awb-amount:20px;border-color:var(--awb-color7);border-top-width:3px;\"><\/div><\/div><div class=\"fusion-text fusion-text-2\"><h2>Meine Top-Ver\u00f6ffentlichungen 2017<\/h2>\n<p>Die Listen meiner pers\u00f6nlichen Top-Ver\u00f6ffentlichungen sind nach keinem Kriterium sortiert.<br \/>\nBer\u00fccksichtigt werden Alben und EPs.<\/p>\n<p>Die Liste der Konzerte ist nach Datum sortiert.<\/p>\n<h3>Meine Top-Ver\u00f6ffentlichungen 2017 &#8211; Non-Metal<\/h3>\n<h4>Blue Lab Beats &#8211; Xover<\/h4>\n<p>Das britische Duo Blue Lab Beats haben mit &#8220;Xover&#8221; ein sehr interessantes Debutalbum produziert, das stilistisch irgendwo zwischen Jazz, Electronica und Hip-Hop angesiedelt ist.<\/p>\n<p><img decoding=\"async\" class=\"lazyload alignnone size-full wp-image-15828\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/bluelabbeats_xover_400x120.webp\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/bluelabbeats_xover_400x120.webp\" alt=\"\" width=\"400\" height=\"120\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27120%27%20viewBox%3D%270%200%20400%20120%27%3E%3Crect%20width%3D%27400%27%20height%3D%27120%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/bluelabbeats_xover_400x120-200x60.webp 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/bluelabbeats_xover_400x120-300x90.webp 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/bluelabbeats_xover_400x120.webp 400w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4>Dee Dee Bridgewater &#8211; Memphis &#8230; Yes, I&#8217;m Ready<\/h4>\n<p>Die amerikanische S\u00e4ngerin Dee Dee Bridgewater widmet sich auf dem Album &#8220;Memphis&#8230; Yes, I&#8217;m Ready&#8221; der Musik ihrer Kindheit. Ein sehr sch\u00f6nes Album.<\/p>\n<p><img decoding=\"async\" class=\"lazyload alignnone size-full wp-image-15834\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/deedeebridgewater_memphisyesimready_400x120.webp\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/deedeebridgewater_memphisyesimready_400x120.webp\" alt=\"\" width=\"400\" height=\"120\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27120%27%20viewBox%3D%270%200%20400%20120%27%3E%3Crect%20width%3D%27400%27%20height%3D%27120%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/deedeebridgewater_memphisyesimready_400x120-200x60.webp 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/deedeebridgewater_memphisyesimready_400x120-300x90.webp 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/deedeebridgewater_memphisyesimready_400x120.webp 400w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4>Grateful Dead &#8211; Cornell 5\/8\/77 (Live)<\/h4>\n<p>Zum 40. Jahrestag der Show ver\u00f6ffentlichten Grateful Dead das Live-Album &#8220;Cornell 5\/8\/77&#8221;. Die Sound-Qualit\u00e4t passt und die Show gef\u00e4llt mir sehr gut.<\/p>\n<p><img decoding=\"async\" class=\"lazyload alignnone size-full wp-image-15833\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/gratefuldead_cornell5877_400x120.webp\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/gratefuldead_cornell5877_400x120.webp\" alt=\"\" width=\"400\" height=\"120\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27120%27%20viewBox%3D%270%200%20400%20120%27%3E%3Crect%20width%3D%27400%27%20height%3D%27120%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/gratefuldead_cornell5877_400x120-200x60.webp 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/gratefuldead_cornell5877_400x120-300x90.webp 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/gratefuldead_cornell5877_400x120.webp 400w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4>Robyn Hitchcock &#8211; Robyn Hitchcock<\/h4>\n<p>&#8220;Robyn Hitchcock&#8221; hat mich bereits nach dem ersten Durchlauf begeistert. Die Songs gehen sofort ins Ohr und machen einfach Spa\u00df.\u00a0Mr. Hitchcock beweist eindrucksvoll, dass ihm die Ideen auch nach \u00fcber 40 Jahren noch nicht ausgehen.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1385644703\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/robynhitchcock.bandcamp.com\/album\/robyn-hitchcock\">Robyn Hitchcock von Robyn Hitchcock<\/a><\/iframe><\/p>\n<h4>Ferocious Dog &#8211; Red<\/h4>\n<p>Das dritte Album der britischen Folk\/Celtic-Rock Band Ferocious Dog macht viel Spa\u00df und gef\u00e4llt mir besser als der Vorg\u00e4nger, kann aber nicht an das traumhafte Debut aus dem Jahr 2013 heranreichen.<\/p>\n<p><img decoding=\"async\" class=\"lazyload alignnone size-full wp-image-15832\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/ferociousdog_red_400x120.webp\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/ferociousdog_red_400x120.webp\" alt=\"\" width=\"400\" height=\"120\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27120%27%20viewBox%3D%270%200%20400%20120%27%3E%3Crect%20width%3D%27400%27%20height%3D%27120%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/ferociousdog_red_400x120-200x60.webp 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/ferociousdog_red_400x120-300x90.webp 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/ferociousdog_red_400x120.webp 400w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4>Boubacar Traore &#8211; Dounia Tabolo<\/h4>\n<p>Der aus Mali stammende Musiker Boubacar Traore war mir zuvor kein Begrif. Auf dem Album &#8220;Dounia Tabolo&#8221; pr\u00e4sentiert er seine eigene erdige Spielart des Blues, bei dem er amerikanischen Blues mit regionalen Einfl\u00fcssen vermischt.<\/p>\n<p><img decoding=\"async\" class=\"lazyload alignnone size-full wp-image-15831\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/boubacartraore_douniatabolo_400x120.webp\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/boubacartraore_douniatabolo_400x120.webp\" alt=\"\" width=\"400\" height=\"120\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27120%27%20viewBox%3D%270%200%20400%20120%27%3E%3Crect%20width%3D%27400%27%20height%3D%27120%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/boubacartraore_douniatabolo_400x120-200x60.webp 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/boubacartraore_douniatabolo_400x120-300x90.webp 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/boubacartraore_douniatabolo_400x120.webp 400w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4>Dauwd &#8211; Theory Of Colours<\/h4>\n<p>Der britische DJ und Produzent Dauwd ver\u00f6ffentlichte mit &#8220;Theory Of Colours&#8221; ein sehr interessantes Album. Sehr organische und warme Kl\u00e4nge dominieren seine Vision von House\/Tech-House.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2354887680\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/dauwdmusic.bandcamp.com\/album\/theory-of-colours\">Theory of Colours von Dauwd<\/a><\/iframe><\/p>\n<h4>Rhiannon Giddens &#8211; Freedom Highway<\/h4>\n<p>Rhiannon Giddens habe ich zuf\u00e4llig entdeckt. Ich mochte ihre Stimme sofort und das Album &#8220;Freedom Highway&#8221; ist mir recht schnell ans Herz gewachsen.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1688015958\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/rhiannongiddens.bandcamp.com\/album\/freedom-highway\">Freedom Highway von Rhiannon Giddens<\/a><\/iframe><\/p>\n<h4>David Rawlings &#8211; Poor David&#8217;s Almanack<\/h4>\n<p>Ich habe David Rawlings 2015 durch sein Album &#8220;Nashville Obsolete&#8221; kennengelernt. Auf dem sehr gelungenen aktuellen Album &#8220;Poor David&#8217;s Almanack&#8221; arbeitet Rawlings erneut mit Langzeitpartnerin Gillian Welch zusammen.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3295423589\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/davidrawlings.bandcamp.com\/album\/poor-davids-almanack\">Poor David&#8217;s Almanack von David Rawlings<\/a><\/iframe><\/p>\n<h4>The Secret Sisters &#8211; You Don&#8217;t Own Me Anymore<\/h4>\n<p>Das dritte Album der Schwestern Laura und Lydia Rogers aka The Secret Sisters ist ein gro\u00dfartiges Folk-Album. Wie schon auf der vorigen Ver\u00f6ffentlichung begeistern die Damen mit zweistimmigem Gesang und tradioneller Instrumentierung.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1698404137\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/thesecretsisters.bandcamp.com\/album\/you-dont-own-me-anymore\">You Don&#8217;t Own Me Anymore von The Secret Sisters<\/a><\/iframe><\/p>\n<h4>Novella &#8211; Change Of State<\/h4>\n<p>Auf die britische Band Novella bin ich durch das Debutalbum &#8220;Land&#8221; im Jahr 2015 aufmerksam geworden. Das aktuelle Album &#8220;Change Of State&#8221; schl\u00e4gt in die gleiche Kerbe und bietet eing\u00e4ngigen Indie-Rock\/Pop mit Neo-Psychedlic Einf\u00fcssen.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4277559063\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/novellasinderlyn.bandcamp.com\/album\/change-of-state\">Change of State von Novella<\/a><\/iframe><\/p>\n<h4>The Kundalini Genie &#8211; Reverberation<\/h4>\n<p>Gro\u00dfartiges Debutlabum der schottischen Band The Kundalini Genie. Moderner Garage\/Psychedelic-Rock.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1697902390\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/the-kundalini-genie.bandcamp.com\/album\/reverberation\">Reverberation von The Kundalini Genie<\/a><\/iframe><\/p>\n<h4>Las Robertas &#8211; Waves Of The New<\/h4>\n<p>Das Album hat mich unmittelbar in seinen Bann gezogen. Cooler Neo-Psych-Pop\/Rock aus Costa Rica.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719099877\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/lasrobertas.bandcamp.com\/album\/waves-of-the-new\">Waves of the New von Las Robertas<\/a><\/iframe><\/p>\n<h4>Josh Ritter &#8211; Gathering<\/h4>\n<p>Josh Ritter ist ein amerikanischer Singer\/Songwriter, den ich vor ein paar Jahren durch sein Album &#8220;So Runs The World Away&#8221; kennengelernt habe. &#8220;Gathering&#8221; begeistert mit modernem Alt-Country und Americana.<\/p>\n<h3>Meine Top-Ver\u00f6ffentlichungen 2017 &#8211; Metal<\/h3>\n<h4>Overkill &#8211; The Grinding Wheel<\/h4>\n<p>Overkill liefern mit &#8220;The Grinding Wheel&#8221; ein weiteres sehr starkes Thrash Metal Album.<\/p>\n<p><img decoding=\"async\" class=\"lazyload alignnone size-full wp-image-15829\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/overkill_grindingwheel_400x120.webp\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/overkill_grindingwheel_400x120.webp\" alt=\"\" width=\"400\" height=\"120\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27120%27%20viewBox%3D%270%200%20400%20120%27%3E%3Crect%20width%3D%27400%27%20height%3D%27120%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/overkill_grindingwheel_400x120-200x60.webp 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/overkill_grindingwheel_400x120-300x90.webp 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2026\/02\/overkill_grindingwheel_400x120.webp 400w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4>Power Trip &#8211; Nightmare Logic<\/h4>\n<p>Power Trip aus Texas haben mit &#8220;Nightmare Logic&#8221; einen absoluten Kracher produziert. R\u00e4udiger Thrash Metal, der bei mir in der Dauerschleife l\u00e4uft.<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1464044653\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/powertripsl.bandcamp.com\/album\/nightmare-logic\">Nightmare Logic von Power Trip<\/a><\/iframe><\/p>\n<h4>Kreator &#8211; Gods Of Violence<\/h4>\n<p>Das 14. Album von Kreator konnte mich \u00fcberzeugen und punktet mit einigen sehr starken Nummern&#8230; Hail To The Hordes&#8230;<\/p>\n<p><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=819827552\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/kreator.bandcamp.com\/album\/gods-of-violence\">Gods Of Violence von Kreator<\/a><\/iframe><\/p>\n<\/div><div class=\"fusion-separator\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;max-width:30%;\"><div class=\"fusion-separator-border sep-single sep-solid\" style=\"--awb-height:20px;--awb-amount:20px;border-color:var(--awb-color7);border-top-width:3px;\"><\/div><\/div><div class=\"fusion-text fusion-text-3\"><h2>Meine Top-Konzerte 2017<\/h2>\n<ul>\n<li>08.07.2017 &#8211; Lovely Days 2017<\/li>\n<li>19.\/20.10.2017 &#8211; Oysterband @ Knust Hamburg &amp; Music Hall Worpswede<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":15406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[413,8],"tags":[],"class_list":["post-15261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jahresrueckblick","category-musik"],"_links":{"self":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts\/15261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15261"}],"version-history":[{"count":14,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts\/15261\/revisions"}],"predecessor-version":[{"id":15835,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts\/15261\/revisions\/15835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/media\/15406"}],"wp:attachment":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}