{"id":13416,"date":"2020-12-31T13:42:33","date_gmt":"2020-12-31T11:42:33","guid":{"rendered":"https:\/\/www.plur.at\/?p=13416"},"modified":"2020-12-31T13:42:33","modified_gmt":"2020-12-31T11:42:33","slug":"die-zwei-paepste","status":"publish","type":"post","link":"https:\/\/www.plur.at\/?p=13416","title":{"rendered":"Die zwei P\u00e4pste (2019)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element in-legacy-container\" style=\"--awb-liftup-border-radius:0px;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><div class=\"awb-image-frame awb-image-frame-1 imageframe-liftup\"><span class=\" fusion-imageframe imageframe-dropshadow imageframe-1\" style=\"border:1px solid #e2d4ba;-webkit-box-shadow: 3px 3px 7px rgba(0,0,0,0.3);box-shadow: 3px 3px 7px rgba(0,0,0,0.3);\"><img decoding=\"async\" width=\"1600\" height=\"400\" title=\"_PMP1135.ARW\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi.jpg\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi.jpg\" alt class=\"lazyload img-responsive wp-image-13425\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271600%27%20height%3D%27400%27%20viewBox%3D%270%200%201600%20400%27%3E%3Crect%20width%3D%271600%27%20height%3D%27400%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi-200x50.jpg 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi-400x100.jpg 400w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi-600x150.jpg 600w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi-800x200.jpg 800w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi-1200x300.jpg 1200w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_fi.jpg 1600w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 820px) 100vw, 1600px\" \/><\/span><\/div><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-1\"><p><img decoding=\"async\" class=\"lazyload alignleft size-thumbnail wp-image-13426\" src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-150x150.jpg\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27150%27%20height%3D%27150%27%20viewBox%3D%270%200%20150%20150%27%3E%3Crect%20width%3D%27150%27%20height%3D%27150%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-66x66.jpg 66w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-150x150.jpg 150w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-200x200.jpg 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-300x300.jpg 300w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-400x400.jpg 400w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-560x560.jpg 560w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-600x600.jpg 600w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-768x768.jpg 768w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000-800x800.jpg 800w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_1000x1000.jpg 1000w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>Der aus Brasilien stammende Filmemacher Fernando Meirelles (&#8220;<a href=\"https:\/\/www.plur.at\/?p=1089\">City Of God<\/a>&#8220;, &#8220;Der ewige G\u00e4rtner&#8221;, &#8220;<a href=\"https:\/\/www.plur.at\/?p=5152\">360 &#8211; Jede Begegnung hat Folgen<\/a>&#8220;) inszenierte 2019 den Spielfilm &#8220;Die zwei P\u00e4pste&#8221;. Der Film basiert auf dem Buch &#8220;Die zwei P\u00e4pste: Franziskus und Benedikt und die Entscheidung, die alles ver\u00e4nderte&#8221; von Anthony McCarten, der auch das Drehbuch verfasste. Nach der Urauff\u00fchrung beim Telluride Film Festival folgte eine Ver\u00f6ffentlichung in ausgesuchten Kinos. Danach nahm Netflix den Film exklusiv in sein Programm auf.<\/p>\n<p>Die Handlung des Films beginnt im Jahr 2005. Papst Johannes Paul II ist knapp 85-j\u00e4hrig verstorben und die Kardin\u00e4le der r\u00f6misch-katholischen Kirche reisen zum Konklave nach Rom, um einen neuen Papst zu w\u00e4hlen. Der argentinische Kardinal Jorge Mario Bergoglio (Jonathan Pryce) wird von vielen der Kardin\u00e4le als Nachfolger favorisiert, strebt das Pontifikat jedoch nicht an. Die Wahl wird schlie\u00dflich von Kardinal Joseph Ratzinger (Anthony Hopkins) gewonnen, der in weiterer Folge als Papst Benedikt XVI das Amt antritt. Der weltoffene Bergoglio, der dem Jesuitenorden angeh\u00f6rt, ist mit dem von Papst Benedikt eingeschlagenen erzkonservativen Weg bei der Leitung der Kirche nicht einverstanden und reicht seinen R\u00fccktritt als Kardinal ein. Sieben Jahre sp\u00e4ter hat er noch immer keine Antwort aus dem Vatikan erhalten und beschlie\u00dft nach Rom zu reisen. Zeitgleich erh\u00e4lt er eine offizielle Einladung zur Unterredung mit dem Papst. Bergoglio begibt sich hoffnungsvoll auf den Weg, ohne die Konsequenzen f\u00fcr sein Leben und das der Kirche nur erahnen zu k\u00f6nnen&#8230;<\/p>\n<p>Die Bildqualit\u00e4t der Produktion ist sehr gut und punktet mit scharfen Bildern und nat\u00fcrlichen Farben. Ausgenommen davon sind nat\u00fcrlich diverse Archivaufnahmen bzw. Szenen, deren Gestaltung Archivaufnahmen nachempfunden sind. Der Ton ist in Ordnung und bietet jederzeit gute Dialogverst\u00e4ndlichkeit.<\/p>\n<p>Mein Fazit: &#8220;Die zwei P\u00e4pste&#8221; hat mir sehr gut gefallen und z\u00e4hlt f\u00fcr mich zu den Highlights des heurigen Filmjahres. Pryce und Hopkings spielen gro\u00dfartig und wurden zurecht beide f\u00fcr die Oscars 2020 als beste Haupt- und Nebendarsteller nominiert. Die Dialoge zwischen den zwei grundverschiedenen Geistlichen spr\u00fchen nur so vor Leidenschaft, \u00dcberzeugung und Wortwitz. \u00dcber den gesamten Filmverlauf fragt man sich immer wieder &#8220;Kann es sich vielleicht genau so zugetragen haben ?&#8221;. Eine ganz tolle Produktion und eine unbedingte Empfehlung f\u00fcr Freunde des Autorenfilms.<\/p>\n<h3><strong>Film: 8,5\/10<\/strong><br \/>\n<strong>Bild: 8\/10<\/strong><br \/>\n<strong>Ton: 7\/10<\/strong><\/h3>\n<p>Bildquellen: \u00a9 Netflix \/ Photo Credits: Peter Mountain<\/p>\n<p>Reviewdatum: 31.12.2020<br \/>\nBD\/DVD Erscheinungsjahr: &#8211;<br \/>\nProduktionsjahr: 2019<br \/>\nVerleih\/Vertrieb: Netflix<\/p>\n<\/div><div class=\"fusion-image-carousel fusion-image-carousel-auto fusion-image-carousel-1 lightbox-enabled fusion-carousel-border\"><div class=\"awb-carousel awb-swiper awb-swiper-carousel awb-carousel--carousel awb-swiper-dots-position-bottom\" data-layout=\"carousel\" data-autoplay=\"yes\" data-autoplayspeed=\"10000\" data-autoplaypause=\"no\" data-loop=\"yes\" data-columns=\"4\" data-columnsmedium=\"1\" data-columnssmall=\"1\" data-itemmargin=\"10\" data-itemwidth=\"180\" data-touchscroll=\"no\" data-freemode=\"no\" data-imagesize=\"auto\" 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alt=\"\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271620%27%20height%3D%271080%27%20viewBox%3D%270%200%201620%201080%27%3E%3Crect%20width%3D%271620%27%20height%3D%271080%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_gy_1_1620x1080.jpg\" data-srcset=\"https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_gy_1_1620x1080-200x133.jpg 200w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_gy_1_1620x1080-400x267.jpg 400w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_gy_1_1620x1080-600x400.jpg 600w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_gy_1_1620x1080-800x533.jpg 800w, https:\/\/www.plur.at\/wp-content\/uploads\/2020\/12\/die_zwei_paepste_gy_1_1620x1080-1200x800.jpg 1200w, 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class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":13426,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[353,20,2,257],"tags":[30,45,60],"class_list":["post-13416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-serien-highlights","category-filme","category-filme-serien","category-streaming","tag-biopic","tag-drama","tag-komodie"],"_links":{"self":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts\/13416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13416"}],"version-history":[{"count":1,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts\/13416\/revisions"}],"predecessor-version":[{"id":13427,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/posts\/13416\/revisions\/13427"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=\/wp\/v2\/media\/13426"}],"wp:attachment":[{"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.plur.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}